Farewell My Concubine

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.

The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.

Nathalie falls for Baptiste Debureau, a mime. But his heart is set on Garance, who is also coveted by Frederick Lemaitre and the Count of Montray.

China in the 1920s. After her father's death, 19 year old Songlian is forced to marry the much older lord of a powerful family. With three wives already, each living in a separate house within the great castle, there is fierce competition for his attention and the privileges that are gained. This competition gets out of hand.

Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that follow he is pressed into both the nationalist and communist armies, while Jiazhen is forced into menial work.

In medieval Japan, a woman and his children journey to find the family's patriarch, who was exiled years before.