Happy People: A Year in the Taiga

Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.

Shot in documentary style from the perspective of an almost alien observer, the film is an exploration of the ravaged oil fields of post-Gulf War Kuwait. An effective companion to his earlier film Fata Morgana, Herzog again perceives the desert as a landscape with its own voice, as he glides over seas of oil, geyser-like infernos, monstrous smoke plumes and ashen roadways. With musical accompaniment by Wagner, Prokofiev and Pärt to boot, he observes the soot-covered creatures allured by the blaze.

The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

In 1966, Dieter Dengler was shot down over Laos, captured, and, down to 85 pounds, escaped. Barefoot, surviving monsoons, leeches, and machete-wielding villagers, he was rescued. Now, near 60, living on Mt. Tamalpais, Dengler tells his story: a German lad surviving Allied bombings in World War II, postwar poverty, apprenticed to a smith, beaten regularly. At 18, he emigrates and peels potatoes in the U.S. Air Force. He leaves for California and college, then enlistment in the Navy to learn to fly. A quiet man of sorrows tells his story: war, capture, harrowing conditions, escape, and miraculous rescue. Where did he find the strength; how does he now live with his memories?

We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent's unique locations. Herzog's voiceover narration explains that his film will not be a typical Antarctica film about "fluffy penguins", but will explore the dreams of the people and the landscape.