Chernobyl Diaries
Horror • R • 2012 • 1 hr 28 min
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Poindexter "Fool" Williams, his brother Leroy, and their family face eviction from their rented home in South Central Los Angeles. Their landlords are a greedy, uncaring couple who live in a mansion that's as huge as it is eerie. Leroy has a plan to burglarize the mansion, but what the boys find inside is not what they expected.
After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.
A photographer's obsessive pursuit of dark subject matter leads him into the path of a serial killer who stalks late night commuters, ultimately butchering them in the most gruesome ways.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Arkin escapes with his life from the vicious grips of "The Collector" during an entrapment party where he adds beautiful Elena to his "Collection." Instead of recovering from the trauma, Arkin is suddenly abducted from the hospital by mercenaries hired by Elena's wealthy father. Arkin is blackmailed to team up with the mercenaries and track down The Collector's booby trapped warehouse and save Elena.
Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.
Guillermo del Toro presents Mama, a supernatural thriller that tells the haunting tale of two little girls who disappeared into the woods the day that their parents were killed. When they are rescued years later and begin a new life, they find that someone or something still wants to come tuck them in at night.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.